Being caught between “Narcissus” and his reflection was a disparaging place to be in. My way of enduring such an unstable yet intense liaison was through extensive written auto analyses, compiled throughout most of the courtship. From the very first verse and in good reason, my then love took the persona of “Narcissus”, the young man from Greek mythology who falls in love with his own reflection in the water. After a combination of different letters, poems, compilations of thoughts and countless failed attempts to capture his attention, like Narcissus, our relationship drowned in a sea of his self-absorption. To emulate the idea of extreme vanity, these written contemplations were paralleled with the mythological character by inclining each word to face a metaphorical pool of water, a mirror, on the bottom of each piece. The process of transcribing 56 different narrations using ink on paper and consequently cutting the top of each word with an x-acto knife in order to fold them, was a way to represent, resolve and simultaneously get rid of a destructive relationship, which after all, gave birth to a fruitful oeuvre.

Being caught between “Narcissus” and his reflection was a disparaging place to be in. My way of enduring such an unstable yet intense liaison was through extensive written auto analyses, compiled throughout most of the courtship. From the very first verse and in good reason, my then love took the persona of “Narcissus”, the young man from Greek mythology who falls in love with his own reflection in the water. After a combination of different letters, poems, compilations of thoughts and countless failed attempts to capture his attention, like Narcissus, our relationship drowned in a sea of his self-absorption. To emulate the idea of extreme vanity, these written contemplations were paralleled with the mythological character by inclining each word to face a metaphorical pool of water, a mirror, on the bottom of each piece. The process of transcribing 56 different narrations using ink on paper and consequently cutting the top of each word with an x-acto knife in order to fold them, was a way to represent, resolve and simultaneously get rid of a destructive relationship, which after all, gave birth to a fruitful oeuvre.

Being caught between “Narcissus” and his reflection was a disparaging place to be in. My way of enduring such an unstable yet intense liaison was through extensive written auto analyses, compiled throughout most of the courtship. From the very first verse and in good reason, my then love took the persona of “Narcissus”, the young man from Greek mythology who falls in love with his own reflection in the water. After a combination of different letters, poems, compilations of thoughts and countless failed attempts to capture his attention, like Narcissus, our relationship drowned in a sea of his self-absorption. To emulate the idea of extreme vanity, these written contemplations were paralleled with the mythological character by inclining each word to face a metaphorical pool of water, a mirror, on the bottom of each piece. The process of transcribing 56 different narrations using ink on paper and consequently cutting the top of each word with an x-acto knife in order to fold them, was a way to represent, resolve and simultaneously get rid of a destructive relationship, which after all, gave birth to a fruitful oeuvre.

Being caught between “Narcissus” and his reflection was a disparaging place to be in. My way of enduring such an unstable yet intense liaison was through extensive written auto analyses, compiled throughout most of the courtship. From the very first verse and in good reason, my then love took the persona of “Narcissus”, the young man from Greek mythology who falls in love with his own reflection in the water. After a combination of different letters, poems, compilations of thoughts and countless failed attempts to capture his attention, like Narcissus, our relationship drowned in a sea of his self-absorption. To emulate the idea of extreme vanity, these written contemplations were paralleled with the mythological character by inclining each word to face a metaphorical pool of water, a mirror, on the bottom of each piece. The process of transcribing 56 different narrations using ink on paper and consequently cutting the top of each word with an x-acto knife in order to fold them, was a way to represent, resolve and simultaneously get rid of a destructive relationship, which after all, gave birth to a fruitful oeuvre.

Being caught between “Narcissus” and his reflection was a disparaging place to be in. My way of enduring such an unstable yet intense liaison was through extensive written auto analyses, compiled throughout most of the courtship. From the very first verse and in good reason, my then love took the persona of “Narcissus”, the young man from Greek mythology who falls in love with his own reflection in the water. After a combination of different letters, poems, compilations of thoughts and countless failed attempts to capture his attention, like Narcissus, our relationship drowned in a sea of his self-absorption. To emulate the idea of extreme vanity, these written contemplations were paralleled with the mythological character by inclining each word to face a metaphorical pool of water, a mirror, on the bottom of each piece. The process of transcribing 56 different narrations using ink on paper and consequently cutting the top of each word with an x-acto knife in order to fold them, was a way to represent, resolve and simultaneously get rid of a destructive relationship, which after all, gave birth to a fruitful oeuvre.

Being caught between “Narcissus” and his reflection was a disparaging place to be in. My way of enduring such an unstable yet intense liaison was through extensive written auto analyses, compiled throughout most of the courtship. From the very first verse and in good reason, my then love took the persona of “Narcissus”, the young man from Greek mythology who falls in love with his own reflection in the water. After a combination of different letters, poems, compilations of thoughts and countless failed attempts to capture his attention, like Narcissus, our relationship drowned in a sea of his self-absorption. To emulate the idea of extreme vanity, these written contemplations were paralleled with the mythological character by inclining each word to face a metaphorical pool of water, a mirror, on the bottom of each piece. The process of transcribing 56 different narrations using ink on paper and consequently cutting the top of each word with an x-acto knife in order to fold them, was a way to represent, resolve and simultaneously get rid of a destructive relationship, which after all, gave birth to a fruitful oeuvre.

Being caught between “Narcissus” and his reflection was a disparaging place to be in. My way of enduring such an unstable yet intense liaison was through extensive written auto analyses, compiled throughout most of the courtship. From the very first verse and in good reason, my then love took the persona of “Narcissus”, the young man from Greek mythology who falls in love with his own reflection in the water. After a combination of different letters, poems, compilations of thoughts and countless failed attempts to capture his attention, like Narcissus, our relationship drowned in a sea of his self-absorption. To emulate the idea of extreme vanity, these written contemplations were paralleled with the mythological character by inclining each word to face a metaphorical pool of water, a mirror, on the bottom of each piece. The process of transcribing 56 different narrations using ink on paper and consequently cutting the top of each word with an x-acto knife in order to fold them, was a way to represent, resolve and simultaneously get rid of a destructive relationship, which after all, gave birth to a fruitful oeuvre.

Being caught between “Narcissus” and his reflection was a disparaging place to be in. My way of enduring such an unstable yet intense liaison was through extensive written auto analyses, compiled throughout most of the courtship. From the very first verse and in good reason, my then love took the persona of “Narcissus”, the young man from Greek mythology who falls in love with his own reflection in the water. After a combination of different letters, poems, compilations of thoughts and countless failed attempts to capture his attention, like Narcissus, our relationship drowned in a sea of his self-absorption. To emulate the idea of extreme vanity, these written contemplations were paralleled with the mythological character by inclining each word to face a metaphorical pool of water, a mirror, on the bottom of each piece. The process of transcribing 56 different narrations using ink on paper and consequently cutting the top of each word with an x-acto knife in order to fold them, was a way to represent, resolve and simultaneously get rid of a destructive relationship, which after all, gave birth to a fruitful oeuvre.

Being caught between “Narcissus” and his reflection was a disparaging place to be in. My way of enduring such an unstable yet intense liaison was through extensive written auto analyses, compiled throughout most of the courtship. From the very first verse and in good reason, my then love took the persona of “Narcissus”, the young man from Greek mythology who falls in love with his own reflection in the water. After a combination of different letters, poems, compilations of thoughts and countless failed attempts to capture his attention, like Narcissus, our relationship drowned in a sea of his self-absorption. To emulate the idea of extreme vanity, these written contemplations were paralleled with the mythological character by inclining each word to face a metaphorical pool of water, a mirror, on the bottom of each piece. The process of transcribing 56 different narrations using ink on paper and consequently cutting the top of each word with an x-acto knife in order to fold them, was a way to represent, resolve and simultaneously get rid of a destructive relationship, which after all, gave birth to a fruitful oeuvre.

Being caught between “Narcissus” and his reflection was a disparaging place to be in. My way of enduring such an unstable yet intense liaison was through extensive written auto analyses, compiled throughout most of the courtship. From the very first verse and in good reason, my then love took the persona of “Narcissus”, the young man from Greek mythology who falls in love with his own reflection in the water. After a combination of different letters, poems, compilations of thoughts and countless failed attempts to capture his attention, like Narcissus, our relationship drowned in a sea of his self-absorption. To emulate the idea of extreme vanity, these written contemplations were paralleled with the mythological character by inclining each word to face a metaphorical pool of water, a mirror, on the bottom of each piece. The process of transcribing 56 different narrations using ink on paper and consequently cutting the top of each word with an x-acto knife in order to fold them, was a way to represent, resolve and simultaneously get rid of a destructive relationship, which after all, gave birth to a fruitful oeuvre.

Being caught between “Narcissus” and his reflection was a disparaging place to be in. My way of enduring such an unstable yet intense liaison was through extensive written auto analyses, compiled throughout most of the courtship. From the very first verse and in good reason, my then love took the persona of “Narcissus”, the young man from Greek mythology who falls in love with his own reflection in the water. After a combination of different letters, poems, compilations of thoughts and countless failed attempts to capture his attention, like Narcissus, our relationship drowned in a sea of his self-absorption. To emulate the idea of extreme vanity, these written contemplations were paralleled with the mythological character by inclining each word to face a metaphorical pool of water, a mirror, on the bottom of each piece. The process of transcribing 56 different narrations using ink on paper and consequently cutting the top of each word with an x-acto knife in order to fold them, was a way to represent, resolve and simultaneously get rid of a destructive relationship, which after all, gave birth to a fruitful oeuvre.

Being caught between “Narcissus” and his reflection was a disparaging place to be in. My way of enduring such an unstable yet intense liaison was through extensive written auto analyses, compiled throughout most of the courtship. From the very first verse and in good reason, my then love took the persona of “Narcissus”, the young man from Greek mythology who falls in love with his own reflection in the water. After a combination of different letters, poems, compilations of thoughts and countless failed attempts to capture his attention, like Narcissus, our relationship drowned in a sea of his self-absorption. To emulate the idea of extreme vanity, these written contemplations were paralleled with the mythological character by inclining each word to face a metaphorical pool of water, a mirror, on the bottom of each piece. The process of transcribing 56 different narrations using ink on paper and consequently cutting the top of each word with an x-acto knife in order to fold them, was a way to represent, resolve and simultaneously get rid of a destructive relationship, which after all, gave birth to a fruitful oeuvre.

Being caught between “Narcissus” and his reflection was a disparaging place to be in. My way of enduring such an unstable yet intense liaison was through extensive written auto analyses, compiled throughout most of the courtship. From the very first verse and in good reason, my then love took the persona of “Narcissus”, the young man from Greek mythology who falls in love with his own reflection in the water. After a combination of different letters, poems, compilations of thoughts and countless failed attempts to capture his attention, like Narcissus, our relationship drowned in a sea of his self-absorption. To emulate the idea of extreme vanity, these written contemplations were paralleled with the mythological character by inclining each word to face a metaphorical pool of water, a mirror, on the bottom of each piece. The process of transcribing 56 different narrations using ink on paper and consequently cutting the top of each word with an x-acto knife in order to fold them, was a way to represent, resolve and simultaneously get rid of a destructive relationship, which after all, gave birth to a fruitful oeuvre.

Being caught between “Narcissus” and his reflection was a disparaging place to be in. My way of enduring such an unstable yet intense liaison was through extensive written auto analyses, compiled throughout most of the courtship. From the very first verse and in good reason, my then love took the persona of “Narcissus”, the young man from Greek mythology who falls in love with his own reflection in the water. After a combination of different letters, poems, compilations of thoughts and countless failed attempts to capture his attention, like Narcissus, our relationship drowned in a sea of his self-absorption. To emulate the idea of extreme vanity, these written contemplations were paralleled with the mythological character by inclining each word to face a metaphorical pool of water, a mirror, on the bottom of each piece. The process of transcribing 56 different narrations using ink on paper and consequently cutting the top of each word with an x-acto knife in order to fold them, was a way to represent, resolve and simultaneously get rid of a destructive relationship, which after all, gave birth to a fruitful oeuvre.

Being caught between “Narcissus” and his reflection was a disparaging place to be in. My way of enduring such an unstable yet intense liaison was through extensive written auto analyses, compiled throughout most of the courtship. From the very first verse and in good reason, my then love took the persona of “Narcissus”, the young man from Greek mythology who falls in love with his own reflection in the water. After a combination of different letters, poems, compilations of thoughts and countless failed attempts to capture his attention, like Narcissus, our relationship drowned in a sea of his self-absorption. To emulate the idea of extreme vanity, these written contemplations were paralleled with the mythological character by inclining each word to face a metaphorical pool of water, a mirror, on the bottom of each piece. The process of transcribing 56 different narrations using ink on paper and consequently cutting the top of each word with an x-acto knife in order to fold them, was a way to represent, resolve and simultaneously get rid of a destructive relationship, which after all, gave birth to a fruitful oeuvre.

Being caught between “Narcissus” and his reflection was a disparaging place to be in. My way of enduring such an unstable yet intense liaison was through extensive written auto analyses, compiled throughout most of the courtship. From the very first verse and in good reason, my then love took the persona of “Narcissus”, the young man from Greek mythology who falls in love with his own reflection in the water. After a combination of different letters, poems, compilations of thoughts and countless failed attempts to capture his attention, like Narcissus, our relationship drowned in a sea of his self-absorption. To emulate the idea of extreme vanity, these written contemplations were paralleled with the mythological character by inclining each word to face a metaphorical pool of water, a mirror, on the bottom of each piece. The process of transcribing 56 different narrations using ink on paper and consequently cutting the top of each word with an x-acto knife in order to fold them, was a way to represent, resolve and simultaneously get rid of a destructive relationship, which after all, gave birth to a fruitful oeuvre.

Being caught between “Narcissus” and his reflection was a disparaging place to be in. My way of enduring such an unstable yet intense liaison was through extensive written auto analyses, compiled throughout most of the courtship. From the very first verse and in good reason, my then love took the persona of “Narcissus”, the young man from Greek mythology who falls in love with his own reflection in the water. After a combination of different letters, poems, compilations of thoughts and countless failed attempts to capture his attention, like Narcissus, our relationship drowned in a sea of his self-absorption. To emulate the idea of extreme vanity, these written contemplations were paralleled with the mythological character by inclining each word to face a metaphorical pool of water, a mirror, on the bottom of each piece. The process of transcribing 56 different narrations using ink on paper and consequently cutting the top of each word with an x-acto knife in order to fold them, was a way to represent, resolve and simultaneously get rid of a destructive relationship, which after all, gave birth to a fruitful oeuvre.

Being caught between “Narcissus” and his reflection was a disparaging place to be in. My way of enduring such an unstable yet intense liaison was through extensive written auto analyses, compiled throughout most of the courtship. From the very first verse and in good reason, my then love took the persona of “Narcissus”, the young man from Greek mythology who falls in love with his own reflection in the water. After a combination of different letters, poems, compilations of thoughts and countless failed attempts to capture his attention, like Narcissus, our relationship drowned in a sea of his self-absorption. To emulate the idea of extreme vanity, these written contemplations were paralleled with the mythological character by inclining each word to face a metaphorical pool of water, a mirror, on the bottom of each piece. The process of transcribing 56 different narrations using ink on paper and consequently cutting the top of each word with an x-acto knife in order to fold them, was a way to represent, resolve and simultaneously get rid of a destructive relationship, which after all, gave birth to a fruitful oeuvre.

Being caught between “Narcissus” and his reflection was a disparaging place to be in. My way of enduring such an unstable yet intense liaison was through extensive written auto analyses, compiled throughout most of the courtship. From the very first verse and in good reason, my then love took the persona of “Narcissus”, the young man from Greek mythology who falls in love with his own reflection in the water. After a combination of different letters, poems, compilations of thoughts and countless failed attempts to capture his attention, like Narcissus, our relationship drowned in a sea of his self-absorption. To emulate the idea of extreme vanity, these written contemplations were paralleled with the mythological character by inclining each word to face a metaphorical pool of water, a mirror, on the bottom of each piece. The process of transcribing 56 different narrations using ink on paper and consequently cutting the top of each word with an x-acto knife in order to fold them, was a way to represent, resolve and simultaneously get rid of a destructive relationship, which after all, gave birth to a fruitful oeuvre.

Being caught between “Narcissus” and his reflection was a disparaging place to be in. My way of enduring such an unstable yet intense liaison was through extensive written auto analyses, compiled throughout most of the courtship. From the very first verse and in good reason, my then love took the persona of “Narcissus”, the young man from Greek mythology who falls in love with his own reflection in the water. After a combination of different letters, poems, compilations of thoughts and countless failed attempts to capture his attention, like Narcissus, our relationship drowned in a sea of his self-absorption. To emulate the idea of extreme vanity, these written contemplations were paralleled with the mythological character by inclining each word to face a metaphorical pool of water, a mirror, on the bottom of each piece. The process of transcribing 56 different narrations using ink on paper and consequently cutting the top of each word with an x-acto knife in order to fold them, was a way to represent, resolve and simultaneously get rid of a destructive relationship, which after all, gave birth to a fruitful oeuvre.